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    Well, today Facebook shares began
    trading, and, I might add, with a boom, bang, bam to the upside (out of the gate at $45, but dropped, somewhat, thereafter) but Autodesk’s shares dropped like a rock – off over 17%
    in this morning’s trading session. 
    I didn’t think that Autodesk’s
    quarterly report, issued yesterday, was all that bad.  Just goes to show you how much (actually, how
    little, I know about the stock market.)

    And, the Euro/USD exchange rate dropped to $1.27 this morning; time to plan that European vacation …. and, when you get over there, scoop up some Spanish or Greek real estate on the cheap.

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    Date(s):
    17-May-2012 4:02 PM
    For a
    complete listing of Autodesk news releases, please click here
    Strong
    Performance by Suites Drives Results
    Reiterates
    Full Year Business Outlook
    SAN
    RAFAEL, Calif.–(BUSINESS WIRE)–May. 17, 2012—
    Autodesk,
Inc.
    (NASDAQ:ADSK) today reported financial results for the first 
quarter of fiscal
    year 2013.
    First
    Quarter Fiscal 2013
       
Revenue was $589 million, an
    increase of 11 percent compared to the 
first quarter of fiscal 2012.
       
GAAP operating margin was 16
    percent, compared to 15 percent in the 
first quarter of fiscal 2012.
       
Non-GAAP operating margin was 25
    percent, compared to 23 percent in
 the first quarter of fiscal 2012. A
    reconciliation of GAAP to non-GAAP
results is provided in the accompanying
    tables.
       
GAAP diluted earnings per share
    were $0.34, compared to $0.29 in the 
first quarter of fiscal 2012.
       
Non-GAAP diluted earnings per share
    were $0.47, compared to $0.40 in
 the first quarter of fiscal 2012.
       
Cash flow from operating activities
    was $139 million, compared to $128 
million in the first quarter of fiscal 2012.

    We
    had a solid start to the year
    as our overall business continued to
 deliver
    double-digit year-over-year revenue growth
    ,”_ said Carl
Bass,
    Autodesk president and CEO. _”We were pleased with the
 performance of suites as
    customers are embracing the substantially 
greater functionality and value that
    our design and creation suites 
deliver. Our year-over-year revenue growth was
    also fueled by strength 
in Asia Pacific and the Americas, while economic
    conditions contributed 
to uneven results in EMEA and emerging countries. Our
    manufacturing and
 Architecture, Engineering and Construction (AEC) businesses
    achieved 
strong year-over-year results
    as more and more customers turned to
 Autodesk
    to solve their most complex design and engineering challenges.”_
    First
    Quarter Operational Overview
    “EMEA
    revenue was $224 million, an increase of 4 percent compared to the 
first
    quarter last year as reported and 2 percent on a constant currency 
basis.
    Revenue in the Americas was $208 million, an increase of 14
 percent compared to
    the first quarter last year. Revenue in Asia Pacific
 was a record $157 million,
    an increase of 19 percent compared to the
 first quarter last year as reported
    and 13 percent on a constant
currency basis. Revenue from emerging economies
    was $82 million, an
 increase of 6 percent compared to the first quarter last
    year as 
reported and 6 percent on a constant currency basis. Revenue from
 emerging
    economies represented 14 percent of total revenue in the first 
quarter.
    Revenue
    from the Platform Solutions and Emerging Business segment was
 $229 million, an
    increase of 9 percent compared to the first quarter 
last year. Revenue from the
    AEC business segment was $163 million, an 
increase of 16 percent compared to
    the first quarter last year.
    Revenue 
from the Manufacturing business segment
    was $146 million, an increase of
 18 percent compared to the first quarter last
    year. Revenue from the 
Media and Entertainment business segment was $51
    million, a decrease of 
5 percent compared to the first quarter last year.
    Revenue
    from Flagship products was $336 million, an increase of 4
 percent compared to
    the first quarter last year. Revenue from Suites was 
$166 million, an increase
    of 34 percent compared to the first quarter 
last year. Revenue from New and
    Adjacent products was $87 million, an
 increase of 9 percent compared to the
    first quarter last year.
    As
    our customers migrate from our stand-alone products to Suites, we
 anticipate
    that our revenue from Suites will increase as a percentage of 
total revenue and
    that our revenue from our Flagship products will
 similarly decline as a
    percentage of total revenue.”
     
    “Deferred
    revenue at the end of the first quarter was a record high of 
$727 million, an
    increase of 17 percent compared to the first quarter 
last year and 1 percent
    sequentially. Shippable backlog was $6 million,
 a decrease of $19 million
    compared to the first quarter last year and
 $21 million sequentially. At the
    end of the first quarter, channel 
inventory weeks was at a record low of
    approximately one week. A
 decrease in channel inventory and shippable backlog
    was expected as a
 result of our transition to increased use of electronic
    software 
delivery.”
    
_”Our
    revenue growth and continued focus on cost controls drove strong 
improvement in
    our non-GAAP operating margin”,_ said Mark
Hawkins,
    Autodesk executive vice president, chief financial officer.
_”Revenue growth
    and operating margin expansion remain key focus areas as
 we continue towards
    our long-term goal of growing revenue by a 
compounded annual growth rate of
    12-14 percent (capturing fiscal 2011 
through fiscal 2015) and expanding our
    non-GAAP operating margin to at 
least 30 percent. During the quarter we
    accomplished significant changes 
including a new channel partner framework and
    a move to an industry 
focused organizational alignment, among other things,
    that we believe
 will better position the company for future growth. These
    changes, 
combined with our outstanding products and market position, give us
confidence
    to achieve our long-term goals.”_

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    Joel,
    Just wanted to bring this to your attention. The
    RSA has had a significant number of member companies sponsor their staff to
    join CSI and become CDT certified. Having a specific CSI Occupation Code
     allows these members to properly designate their role in the constriction
    process.
    This is just one of the ways the RSA is enabling
    the shareholders to offer new services and find new revenues.
    Randy Watterson
    Member Consultant
    RSA Corporation
    The CSI addition of
    Project Information Manager, to their official listings of construction
    industry Occupation Code’s marks a milestone in defining the role RSA member’s
    provide a construction project team.
    The RSA was the first
    organization from the reprographic industry to commit to work with CSI and the
    Corporate Partner program
    .”
    Westminster, CO
    (PRWEB) May 16, 2012
    A recent update by
    Construction Specifications Institute (CSI) is of special interest and
    importance to Reprographic Services Association (RSA) members. The CSI addition
    of Project Information Manager, to their official listings of construction
    industry Occupation Code’s marks a milestone in defining the role RSA member’s
    provide a construction project team. The creation of the Project Information
    Manager Occupation Code helps to bring credibility and an official title
    validating what RSA members have been and continue to provide to the
    construction team setting.
    Construction project
    teams, driven by the need to optimize productivity and increase bottom line
    performance, are relying more heavily on technology to manage project
    information and communications. Teams are recognizing the benefits too in
    utilizing the skills of experienced Project Information Managers to aid them in
    attaining productivity and bottom line objectives. Who better to take that task
    on than an RSA member who brings decades of experience to the project team in
    managing the communication backbone on construction projects?
    The RSA is proud to have
    contributed input and worked with CSI on the inclusion of the new Project
    Information Manager Occupation Code. This is just one example of the
    cooperative effort the two groups have been involved with over the past 18
    months. CSI is renowned for its rigorous certification programs for
    professionals seeking to improve their knowledge of the construction document
    process. RSA as a participant in the CSI Corporate Partner Program has worked
    closely with CSI in providing customized continuing education and industry
    certification programs and making them available to RSA members. Today as a
    direct result of these efforts numerous staff members at RSA affiliates have
    earned the CDT (Construction Documents Technologist) credential. CDT
    certification within the construction industry is a valued and recognized
    endorsement of the individual’s knowledge and worth to a construction project
    team. Mr. Walter Marlowe, Executive Director/CEO, at Construction
    Specifications Institute had this to say, “The RSA was the first
    organization from the reprographic industry to commit to work with CSI and the
    Corporate Partner program. The ability to take advantage of CSI’s continuing
    education and certification programs provides RSA members across the country
    knowledge of the construction documentation process and improved communication
    between the AEC communities they serve. Team-based construction projects today
    are demanding more of their team members. CSI is proud to have RSA as a
    Corporate Partner and provide the members access to the tools and resources
    they require for their team role as Project Information Managers.”
    CSI is unique in the
    construction industry as its 12,000 members represent a wide cross-section of
    professionals involved in every construction project. CSI has two online
    directories, BusinessLinx (http://new.csinet.org/csi_services/businesslinx.aspx)
    and a Corporate Partner Directory (http://new.csinet.org/cpp/cppdir.aspx),
    often used by industry stakeholders. Project Teams at all levels of engagement
    in the construction process and project are constantly querying CSI’s databases
    searching for qualified construction professionals to assist with major
    projects. Searching by Occupation Codes is one of the popular criteria used in
    seeking team members along with MasterFormat division and geographical
    locations.
    The addition of the new
    Project Information Manager Occupation Code opens the door now for RSA members,
    who are CSI members, to promote their project communication services and
    connect more effectively to a broad cross section of stakeholders in the
    construction processes. Larry Morken, Director, Sales and Marketing, for RSA
    summed it up by saying, “For decades RSA members have served construction team
    environments managing the distribution of information, plans, specifications, and
    documents throughout the project lifecycle. The release of the CSI Project
    Information Manager Occupation Code brings clarity and provides a meaningful
    descriptor for the role RSA members serve within the ecosystem of today’s
    construction project teams .”
    To locate an RSA member in
    your area with knowledgeable experience in construction Project Information
    management go to http://www.rsacorporation.com.
    Special programs, arranged between the RSA and CSI as part of the CSI Corporate
    Partner Program, are available to all RSA members. For more details on how your
    company can take advantage of the benefits of these programs contact Larry
    Morken at larrym@rsacorporation.com .
    About Reprographic Services
    Association (RSA) 
Reprographic Services Association (RSA) is an organization
    of 80+ reprographic companies with over 190 offices in geographical markets of
    all sizes across the United States, Canada and the Caribbean. RSA members have
    served the AEC communities in their markets for decades by providing plan room
    services, large and small format printing, color graphics and document
    management services. Along with serving these needs in local communities, RSA
    members enjoy the benefit of being a part of the global RSA print network.
    Construction teams, no matter where their members are located, can count on the
    RSA network to provide the communication backbone for effective team
    communications and a network of experts to meet the challenges of project
    deadlines and requirements.

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    Note: 
    when I pulled down this article from the web, Staples’ stock was off
    over 7%, trading at $13.68 per share.  It’s
    already bounced back up, somewhat, since then.
    Staples 1Q Profit Down
    5.6% Amid International Weakness
    By DOW JONES NEWSWIRES
    Published May 16, 2012
    Dow Jones Newswires
    Staples Inc.’s (SPLS)
    fiscal first-quarter earnings fell 5.6% as the office-supply giant grappled
    with weaknesses in international operations, particularly Europe.
    Office suppliers such as
    Staples, the largest chain in the U.S., are operating in an deeply competitive retail
    climate marked by declining demand for office products as governments contend
    with budget cuts and traditional supplies evolve into electronic forms.
    Chief Executive Ron
    Sargent on Wednesday said the company is strengthening its business in North America,
    yet also noted that business abroad remains soft.
    For the quarter ended
    April 28, Staples posted a profit of $187.1 million, or 27 cents a share,
    compared with a year-earlier profit of $198.2 million, or 28 cents a share. The
    latest period included expenses for staff reductions and the settlement of a
    contractual dispute that negatively impacted earnings by roughly 3 cents a
    share.
    Sales slipped 1.1% to $6.1
    billion. Analysts expected earnings of 30 cents a share on $6.18 billion in
    sales, according to a survey conducted by Thomson Reuters.
    Gross margin edged down to
    26.4% from 26.5%.
    North American retail
    sales were roughly unchanged from a year earlier at $2.32 billion as same-store
    sales came in flat. Sales in the North American delivery division edged up 1.7%
    to $2.56 billion, helped by double-digit sales growth in facilities and
    breakroom supplies and strong growth in copy and print
    and
    promotional products.
    The company’s
    international operations were weaker, however, posting an 8% decline in sales
    to $1.23 billion amid weak performance in Europe, where same-store sales
    dropped 6%.
    Shares closed Tuesday at
    $14.75 and were inactive in premarket trading. The stock is up 6.2% since the
    start of the year.

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    Architecture Billings Index Reverts to Negative
    Territory

Decline is possibly a brief pause from unusually strong winter
    activity

    Contact: Scott Frank, 
202-626-7467,
    sfrank@aia.org
    For
    immediate release:
    Washington, D.C. – May 16, 2012 – After five months of positive
    readings, the Architecture Billings Index (ABI) has fallen into negative
    terrain. As a leading economic indicator of construction activity, the ABI
    reflects the approximate nine to twelve month lag time between architecture
    billings and construction spending.
    The
    American Institute of Architects (AIA) reported the April ABI score was 48.4, following a mark of 50.4 in March. This
    score reflects a decrease in demand for design services (any score above 50
    indicates an increase in billings).
    The
    new projects inquiry index was 54.4, down from mark of 56.6 the previous month.
    


    “Considering
    the continued volatility in the overall economy, this decline in demand for
    design services isn’t terribly surprising,” said AIA Chief Economist, Kermit
    Baker, PhD, Hon. AIA.  “Also, favorable conditions during the winter
    months may have accelerated design billings, producing a pause in projects that
    have moved ahead faster than expected.”
    Key April ABI highlights:
    Regional averages:
     
    Northeast (51.0),
     
    Midwest (50.1),
     
    South (49.0),
     
    West (48.0)

    Sector index breakdown:
    -commercial / industrial
    (53.8),
    -multi-family residential
    (50.5),
    -institutional (46.6),
    -mixed practice (45.0)

    Project inquiries index: 54.4
    The
    regional and sector categories are calculated as a 3-month moving average,
    whereas the index and inquiries are monthly numbers.

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    THIS ARTICLE IS
    FROM:  WhatTheyThink Blog
    By Patrick Henry
Published: May 14, 2012
    As would be expected
    during an event of this kind, most of the media briefings at drupa were focused
    on product announcements and technology introductions. From time to time,
    though, speakers put the salesmanship aside and offered broader commentary on industry
    trends and print market conditions. Here are a few examples.
    For printers, mastery
    of production economics will be as crucial as the ability to print well,
    observed Bernhard Schreier, CEO, Heidelberger Druckmaschinen AG. “Without cost
    efficiencies, none of our customers will survive in the future,” he said.
    Schreier added that as the world’s largest manufacturer of sheetfed
    lithographic presses, Heidelberg accepts digital printing’s place in the mix of
    solutions that printers will rely on—but with qualifications.
    “Yes, digital
    printing is a technology with a real future and will continue to grow,” he
    said. “However, cost-efficiency is the top priority for print shops. And not
    everything that is already or may soon be possible in digital printing is also
    cost-effective.” The digital technologies that Heidelberg offers—rebranded
    toner presses from Ricoh, and its own Linoprint L inkjet system for
    packaging—fit the definition of cost-effective, Schreier said.
    In speaking about his
    company’s machine refurbishment and upgrade services, Peter Kuisle, executive
    vice president for sales, marketing, and service at manroland web systems,
    acknowledged that printers aren’t replacing their equipment at the rate that
    the manufacturers would like. As a result, he said, “our presses have to run
    much longer than in the past.”
    Benny Landa, the
    founder of Landa Corporation, repeated the prophecy that he first made in 1993
    as the inventor of Indigo printing technology: “Everything that can become
    digital will become digital. Printing is no exception.” But he also noted that
    almost 20 years later, digital output accounts for only about 2% of all pages
    printed. Digital’s share will not go up, he said, until it matches all of
    offset lithography’s merits for mainstream print production—a goal he hopes to
    achieve with his new nanographic printing system.
    “Eventually, printed
    media will be replaced by digital media,” Landa declared. But, he also made it
    clear that “eventually” will take its time in arriving. “For most of us, what
    really counts is the horizon, and the ‘horizon’ is the next 20 years or so,” he
    said. In that interval, there is still a “fantastic” opportunity for digital
    printing to claim its share. According to Landa, “mainstream commercial
    printing has not yet been touched by digital,” and therein lies the opening for
    nanographic printing as his company and its three offset partners (Komori,
    Heidelberg, and manroland sheetfed) intend to develop it.
    “The 15th drupa is
    taking place in an unsettled economic climate,” said Claus Bolza-Schünemann,
    president and CEO of KBA. Between 2007 and 2011. he said, global sales of
    analog presses “halved” from approximately €9 billion to around €4.5 billion.
    Although, according to Bolza-Schünemann, there has been a modest uptick in press
    orders since the “nadir of 2009,” there will be no return to pre-crisis sales
    volumes for KBA and other makers of offset equipment.
    His slides indicated
    that offset continues to account for about 60% of all print production, but
    also that digital is coming on fast and strong with a share of 13%. “The cards
    are being reshuffled in the deck,” Bolza-Schünemann said, particularly in
    offset’s sharp loss of small-format work to digital alternatives. KBA is
    playing a hand in both games with its sheetfed and web litho presses and, as of
    drupa 2012, its RotaJET 76 high-volume inkjet web press.
    “The last drupa
    marked the end of a very prosperous time for the industry, and it segued into
    four very lean years,” said Jochen Meissner, president and CEO of Goss
    International. drupa 2008 also marked the last time that the web press
    manufacturer would exhibit at Messe Düsseldorf as an independent entity—the
    company was acquired by Shanghai Electric Group two years later. However, Goss
    continues to be the only maker of web presses in the U.S. at its plant in
    Durham, NH, where its new Sunday Vpak 3000 and Sunday Vpak 500 packaging
    presses are to be manufactured.
    drupa may be the last place
    on earth where anybody would expect to hear a quotation from Karl Marx, but one
    of the political philosopher’s most famous utterances—“A spectre is haunting
    Europe,” the opening line of the Manifesto of the Communist Party—found its way
    into a drupa 2012 press conference nonetheless. It was cited by Akiyoshi Ohno,
    president of Konica Minolta IJ Technologies, to acknowledge the shadow that
    inkjet has cast over many discussions of printing’s future at the show. Ohno
    said that Konica-Minolta will go to the barricades of the “industrial inkjet
    revolution” with KM1, a color inkjet press being previewed at its stand.
    Patrick Henry, Executive Editor for WhatTheyThink.com
    is also the director of Liberty or Death Communications, a consultancy
    specializing in research, education, promotional, and editorial support
    services for the printing and publishing industries.
    Patrick Henry is available for speaking engagements and
    consulting projects. To get more information contact
    us here.
    Please offer your feedback
    to Patrick. He can be reached at
    patrick.henry@whattheythink.com.

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    (THIS ARTICLE IS FROM: http://www.myprintresource.com)
    BY PAM MORTIMERCreated: May 1, 2012
    Reprographics shops have noticed significant changes in the way
    they do business. How can they use technology and an improved business model to
    attract new customers and to better serve those already on board?
    Reprographics shops
    have noticed significant changes in the way they do business. Technological
    improvements have assisted print service providers in improving productivity,
    increasing profitability, and reaching out to new clients.
    “There have been many
    trends affecting the architectural, engineering, and construction industry and
    therefore the reprographics market,” says Alex Monino, strategic marketing
    manager at Designjet Business, HP. “I would specifically like to highlight two
    trends: There has been a decline in printing volumes at reprographics companies
    due to the construction industry slowdown; the decentralization of printing,
    which means that many customers, given the lower volumes, are now printing
    in-house; and the increased use of digital formats. “The other key trend is the
    use of color. There are studies that demonstrate that the use of color drives
    tremendous savings for construction projects, as it eliminates mistakes and
    improves efficiency. Color printing also enables the production of complex
    layouts like those generated by BIM software and red-lined plots created by
    collaborating teams.”
    Monino adds: “From a
    technology point of view, the most relevant changes I have seen include an
    increase in the productivity of large-format color production printers. While
    we have seen small changes in the productivity of purely black-and-white
    workflows, technical color production printers based on inkjet technology have
    had significant improvements in terms of printing speed and workflow
    efficiency. Another technology trend is an increase in the sharing and
    distribution of large-format plans as the AEC community becomes increasingly
    mobile and globalized, leading to an uptick in the use of tools like plan rooms
    to distribute printing files.”
    Bryan Batelli,
    product manager, Wide Format at Ricoh Americas Corp. believes that a great deal
    of the shift in the reprographics industry is focused on the change in
    workflow. “The devices are not just a copier or a printer or a scanner or even
    all three but they are now considered more of value-added components to the
    customer’s work flow,” says Batelli. “Customers want more and want the devices
    to work like all the multi-function products they have in their environment.”
    “The downturn in the
    economy and specifically the construction sector has had significant impact on
    the industry,” says Andrew Vecci, director, business development, Wide Format
    Printing Systems division of Océ North America. “Coinciding with this, we have
    seen an accelerated trend from centralized to decentralized printing.
    Consequently, this increased need for prints at the point of use has spurred an
    increase in the requirement for reliable and easy-to-use wide-format systems
    that are designed for walk-up users rather than for a dedicated central
    operator. Essentially, this has driven a shift in demand from high-volume
    production machines to lower volume multifunction network devices.
    “Also, as users have brought
    the printing, copying, and scanning functions closer to the point of need in
    their document workflow, they have recognized the value of adopting color into
    their output. This has meant increased demand for not only color scan-to-file
    requirements to better capture information for both collaborative and archival
    digital workflows, but also for color printing capability to enhance clarity of
    information and reduce mistakes.”
    Shifting Customer Base
    Many economic factors have
    caused many print service providers to look at other options when it comes to
    keeping their shops up and running. Like many PSPs, Paul Talbot, vice president
    of business development at PacBlue has noticed a significant change caused by
    the real estate crash. The shift has changed PacBlue’s focus from reprographics
    to other areas. Although PacBlue still has its eye on the real estate market,
    it has also begun to look elsewhere for its bread and butter.
    “The reprographics
    side has really slowed down so we’ve looked at other areas,” states Talbot.
    “The retail area is a big area for us right now. That was pushed upon us
    because the reprographics industry just disappeared overnight. In 2008 the
    market started to disappear due to developments that went on hold. It wasn’t
    like a gradual decline. Within a month there was a 30 to 35 percent drop.
    Because there has been a slow down in the reprographics industry, it has forced
    us to concentrate on the other industries, large-format in particular.”
    Vecci concurs that
    there have been shifts in customer bases for PSPs. “Océ has been on the
    forefront in developing new products and technologies to adapt to these
    changing needs and new customers. The shift to more and more low-volume,
    decentralized walk-up devices means we encounter many customers who are
    bringing in house these capabilities for the first time,” says Vecci.
    “We have also seen
    dramatic growth in the adoption of color in technical document workflows—not
    only increased usage with existing customers but new customer groups that are
    able to capitalize on new technologies that expand their productivity and
    application coverage.”
    Monino discusses the
    in-house trends and ways that PSPs might be able to enhance their business: “As
    a result of the trends mentioned before, many reprographics customers are
    fulfilling more of their printing needs in-house and in color,” says Monino.
    “One of the trends that we are seeing in repro houses is an increase in their
    facilities management business as a way to provide their customers with a more
    convenient service. The increase in the productivity and efficiency of color
    devices is also helping repro houses to serve the increased demand for color
    printing.”
    PacBlue’s approach to
    the shifting customer base is multi-faceted. Talbot believes that one must seek
    out new markets but stresses that it is crucial to keep an eye on existing
    customers and markets. While the real estate industry has created a lull in
    some areas of the reprographics industry, there are still ways to stay in the
    game.
    “We needed to stay on
    top of the customers that we’ve got and perhaps approach them in other areas
    that we haven’t been producing for them,” said Talbot. “At the same time you
    have to focus on getting out and into new markets. When the real estate end
    crashed, a lot of people put that aside and went out and concentrated on
    something else and basically forgot to look after their existing customers. You
    can’t afford to do that.”
    Trends
    Many are asking
    themselves what is in store for the reprographics industry. There is no true
    guide as to when the economy will turn in favor of PSPs, so many are asking
    themselves where to look for their future in business.
    Monino states that future
    trends will include: “A continued shift from black-and-white to color, driven
    by the higher value of color documents; an increase in the facilities
    management business as a way for repro houses to maintain their customers and
    offer them a more convenient service as part of their printing needs; and repro
    houses acting more as AEC content managers, offering cloud services like
    plan-rooms rather than just printing services.”
    Vecci states: “As
    users become more closely integrated with the output of their digital files,
    and with the increasing use of mobile technologies in the workplace, they are
    looking for new ways to interact with these systems—in how they store and
    access their digital assets, how they collaborate with other users around these
    documents, and ultimately how they submit files for output. Certainly, the
    ubiquity of mobile devices such as tablets and smartphones will leave its mark
    on how we work.”
    Talbot adds: “As a print
    service provider, we do so much more than just print. On the service provider
    part we need to be on the cutting edge as to what’s available out there. We’re
    finding that more and more clients are coming to us—even with jobs that they
    know we can’t do in house—to take it on and manage the outsourcing. I think
    just being a printer isn’t going to work for you—you need to offer more—unless
    you’re going to be a trade printer. You have to be very consultative.”

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    Troy Michigan – May 11th,
    2012 – National / AZON Equipment today announced that it has acquired the Canon
    distribution division of Paradigm Imaging Group. Based in Costa Mesa
    California, Paradigm Imaging Group are a systems integrator, service bureau and
    custom solutions provider to the reprographic, AEC and Government markets.
    “Customer service is a top
    priority at National / AZON Equipment. With this acquisition, we are enhancing
    our ability to service our growing customer base in the western states with
    Canon products and services” said David Dodge, President of National /AZON.
    “Furthermore this move, together with the addition of two new regional sales
    managers on the west coast, will further enhance our ability to service our
    current customers and provide leverage in obtaining new resellers”.
    “Our goal is to continuously
    expand our presence in the print for pay and graphics market and our
    acquisition of Paradigm Imaging Group’s Canon distribution will provide us with
    the ability to be proactive to the inventory needs of our reseller base says
    Robert Anderson CEO of National / AZON. “Our plans are to use our market
    knowledge, experience and relationships in conjunction with our highly
    complementary product line to help our customers generate greater profitability
    over the life of the field placement”.
    About National / AZON
    National / AZON is an
    industry leader in the manufacturing, coating and conversion of wide-format
    media for inkjet, solvent, LED and reprographic equipment and processes.
    With manufacturing, sales
    and distribution facilities across North America, National / AZON has
    continuously expanded and innovated to meet the ever changing needs of the
    technical print and graphics market. With an intense focus on customer
    satisfaction, National / AZON has gained a nationwide presence in the
    marketplace and will continue to support the principle of reseller only sales
    to the print for pay and graphics industry.

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    Well
    now!!!  Given this development, the big question, in my mind, is ….
    will Xerox in the U.S. get back into the wide-format equipment business?
    SAN DIEGO, May 5, 2012 /PRNewswire/ —
    Memjet, the global leader in color printing technologies that
    provide remarkable speeds and affordability, today announced a partnership with
    Fuji Xerox Co. Ltd. for the development of a wide format printer featuring
    Memjet components.
    Under the partnership, Fuji Xerox is integrating Memjet technology
    and components into a roll-fed 42″ wide format solution targeted at
    technical and production graphics applications. The combination of speed, color
    and print quality (up to 1600 x 1600 dpi) are unmatched by traditional wide
    format offerings. Fuji Xerox is targeting a formal product launch in Asia
    Pacific at future date to be determined.
    The Memjet Wide Format inkjet printing system employs Memjet
    Waterfall Printhead Technology™, delivering more than 3 billion drops of inks
    per second. The Memjet Wide Format printing technology brings unrivaled speed,
    performance and affordability for short-run and variable data color printing to
    a variety of markets and applications. The 42″ wide print engine prints at
    speeds of 300mm per second at 1600 x 800 dpi or 150mm per second at 1600 x 1600
    dpi.
    Fuji Xerox (Japan) is
    a subsidiary of Fujifilm
    Holdings
     of Japan (75%) and Xerox
    Corporation
     of the USA (25%). Fuji Xerox distributes Fuji Xerox
    and Xerox Corporation products and services throughout the Asia Pacific region
    with operations in JapanAustraliaKoreaTaiwan, the PhilippinesThailandNew ZealandSingaporeMalaysia and Vietnam.
    Source: PR Newswire

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    Digital, large
    format color technology prints up to 15 times faster than conventional inkjet


    Highlights

–
    ·     
    Breakthrough productivity for digital, large format color printing


    ·     
    Prints up to 500 A0 color prints per hour which is up to 15 times
    faster than conventional inkjet

 (A0 is approx 33” x 47”)
    ·     
    Combines productive hardware and workflow from Oce with high-speed
    Memjet inkjet technology


    ·     
    Six addressable media rolls with intelligent switching and up to
    1200 meter capacity


    ·     
    Print CAD, GIS and Graphics in color with unmatched productivity
    VENLO, The Netherlands and SAN DIEGO, May 3, 2012 /PRNewswire/ —

    Oce and Memjet
    today announced that they have signed an agreement to develop a fundamentally
    new, large format color printer that is set to change the large format digital
    printing landscape.
    The first concept for this joint initiative called Project Velocity
    is being displaying during Drupa 2012. It offers game-changing digital
    technology that prints up to 15 times faster than conventional inkjet systems –
    speeds never believed possible during Drupa 2008 for large format applications.
    Now print providers have a powerful digital option for large format, high
    volume color printing. They can use this technology to enter new markets,
    expand their services and generate new revenues.
    Velocity combines Oce’s expertise in productive printing and
    workflow for large format environments with Memjet’s high-speed, digital color
    printing technology. Imagine printing 100 A0 posters in just 12 minutes on
    Velocity – versus 3 hours on a traditional inkjet system. Or printing 250 A0
    posters on Velocity in the 20-30 minutes it takes to set up an offset run, with
    the added benefit of variable content.
    Velocity is on display and will be demonstrated hourly in the Canon
    Europe Ltd. Drupa stand, Hall 8A, C06-1. Oce intends to obtain feedback from
    print professionals to incorporate in further development efforts. The
    presentation of Velocity is the result of more than three years of joint
    engineering and product development between Oce and Memjet.
    Demonstrates Oce strategy – fast and relevant innovation
    Erik van Eldik, Vice President Wide Format Printing Systems at Oce
    says, “Velocity is the result of our collaborative approach to innovation.
    The market has long waited for a productive color solution for the high volume
    segment. We selected Memjet as a technology partner because of the value that
    their impressive technology adds to the highly regarded productivity and
    reliability of our wide format systems. We focused on complementing our
    innovation assets and know-how with Memjet technology to create a product that
    the market was demanding as quickly as possible.”
    “Today represents another milestone for Memjet as we drive
    forward in our mission to bring fast, affordable color to markets
    worldwide,” says Len Lauer, Memjet president and CEO. “The Oce
    partnership is significant, underscoring the performance that Memjet technology
    and components deliver. We are extremely excited and proud to partner with Oce,
    who is a leader in the market. Their wide format experience, excellent product
    development, sales and marketing expertise, and worldwide brand and
    distribution make them the ideal partner for Memjet in the wide format
    segment.”
    Breakthrough productivity for large format, digital color printing
    The Velocity concept is a highly productive large format, digital
    color printing system. The 106 centimeter (42 inches) wide print path can
    produce up to 500 A0s per hour at 1600 x 800 dpi.
    Some lead customers have already shown interest in participating in
    trade trials with Velocity, and Oce expects to identify others during Drupa.
    Based on market feedback from leading print professionals on Drupa Oce will
    determine if and when Velocity will move to production and commercialization
    phase. In the second half of 2012 Oce expects to come back with more concrete
    information. All pricing and availability will be determined according to a
    definitive product.
    Tim Greene of InfoTrends says, “Velocity takes advantage of
    Oce’s strengths such as paper handling for production environments, production
    workflow in the technical market and controller technology, and wraps them
    around Memjet’s revolutionary technology and components. A partnership of this
    magnitude is very important to the global wide format market. It is set to
    change the competitive landscape overnight and how super-fast wide format print
    can — and will — be leveraged by printers and their customers.”
    Memjet’s high-speed, color printing technology
    Memjet represents an entirely new category of technology that makes
    possible high-quality color printing at never-before seen speeds and
    affordability. Memjet does this by putting more than 70,000 ink nozzles on a
    single printhead – 17 times the density of traditional inkjet printheads.
    Memjet’s printhead is 222.8mm (8.77 inches) wide. The design allows
    Memjet-powered printers to deliver more than 700 million drops of ink per
    second on a page. Memjet wide format technology combines five Memjet printheads
    to operate as one, firing more than 3 billion drops of ink per second.
    Oce award-winning productivity and workflow
    Velocity uses the highly accurate, six-roll media input technology
    from the successful Oce ColorWave® 650 printer. The media input automatically
    switches between different rolls and media widths, providing a total capacity
    of 1,200 meters. The Oce Double Decker Pro stacker, currently available on the
    Oce PlotWave® 900 printer, is used to deliver the highest possible
    productivity. It has a dual tray system which allows unloading and printing to
    occur at the same time, which effectively allows the system to print 1200
    meters of output without interruption. The Velocity concept features an
    intuitive touch screen control panel from the Oce VarioPrint® 6000 series
    printer. It uses the Oce PowerM controller, color image processing and workflow
    components of the Oce ColorWave 650 family to further enhance and accelerate
    production. This concept also supports a true Adobe™ PDF workflow.
    About Oce
Oce is one of the leading providers of document management and printing
    for professionals. The Oce offering includes office printing and copying
    systems, high speed digital production printers and wide format printing
    systems for both technical documentation and color display graphics. Oce is
    also a foremost supplier of document management outsourcing. Many of the
    Fortune Global 500 companies and leading commercial printers are Oce customers.
    The company was founded in 1877. With headquarters in Venlo, The Netherlands,
    Oce is active in over 100 countries and employs more than 20,000 people
    worldwide. Oce North America is headquartered in Trumbull, CT, with additional
    business units in Chicago, IL and Boca Raton, FL. For more information visit www.oce.com.
    Oce and Canon: Stronger together
In 2010 Oce joined the Canon Group
    of companies with headquarters in Tokyo, Japan, to create the global leader in
    the printing industry. Canon develops, manufactures and markets a growing
    line-up of copying machines, printers, cameras, optical and other products that
    meet a diverse range of customer needs. The Canon Group comprises over 198,000
    employees worldwide. Global net sales in 2011 totalled USD 45.6 billion. Visit
    the Canon Inc. website at www.canon.com.
    About Memjet
Memjet is the global leader in color printing
    technologies that provide remarkable speeds and affordability. The company
    supplies technologies and components to OEM partners across the printing
    industry. Memjet maintains its corporate office in San Diego, and has offices
    in Dublin, Sydney, Taipei, Singapore and Boise, Idaho. The company is privately
    held. For more information, please visit www.memjet.com
    or follow us on Twitter @memjet.
    Oce, Oce ColorWave 650, Oce PlotWave 900 and Oce VarioPrint 6000 are
    registered trademarks of Oce-Technologies B.V. Adobe is a registered trademark
    of Adobe Systems Incorporated.
    Contacts for Oce:
    Nick Gale
, Oce Media Relations, 
+31 77 359 5628, 
nick.gale@oce.com
    Contacts for Memjet:
    
Jeff Bean
Memjet
, +1-(760)-484-0505, 
jeff.bean@memjet.com
    USA, LATAM & APAC
    Debra Benson
, Illume Public Relations
, +1-(310)-595-0646, 
debra@illumepr.com
    EMEA
    Hayley Myles, 
Liberty Communications
, +44 (0)207 751 4444, 
Memjet@libertycomms.com
    Source: PR Newswire