• Here’s a “delightful” video ….. intended for people who say “printing is dead.”

    A bit off-topic for reprographers, since this video was made by a guy who is in the printing business – – – as he put it, “I was born into the printing business” – – – but, nonetheless, since printers and reprographers share many issues in common, I decided to share this guy’s video with reprographers.

    Here are just a few of the many “comments” submitted by people who’ve viewed this guy’s video:

    I share his enthusiasm.


conlabel 1 month ago 


    A fine piece of cinematic excellence. I’m not going to lie. I cried just a little bit at the end of it. Well Done.


GossInternational1 6 months ago 


    The Essential Image in Waterloo loves this.
I’m a young printer, keep the ink flowing!



josiptuka 7 months ago 


    Outstanding! 30 years of this shit! That was beautiful and will be aired at the next boring ass OSHA meeting.


escuss11 9 months ago 


    I started a playlist called “Printing” on my YouTube account. It’s going to be full of “must see” printing videos. This is on the top of the list. Who needs cable when this kind of content is available? This is right on Warren, thanks for taking the time to share your passion. Pazazz Printing is a great printing shop. You don’t learn this stuff in a pretty college, you either have it or you don’t. 


JoeJoomla 9 months ago

    I think the IRgA should hire Lewis Black to create a video – along the same lines – entitled “Reprographics Ain’t Dead Yet !!!” I’m sure that Lewis would give an appropriate spin on “what’s reprographics?”, which is the question I – always – immediately get from anyone I tell that I was in the reprographics business.

    Okay, without further comment, here’s the video, enjoy…

    http://www.youtube.com/watch?v=VpAuDrs5ocg

  • I’d like to begin this post with the following paragraph, which was extracted from the “Strategy and Direction: Commonly Asked Questions About ARC’s Transition Strategy” document, which was published on November 7, 2011 and was part of the presentation ARC gave at the 2011 JP Morgan Ultimate Services Conference on November 9, 2011, in New York City. (Note that words in parenthesis were added by the blog author):

    “In just over two years of providing MPS to the AEC Industry, Gartner has already recognized ARC as one of the nine players in its “Magic Quadrant” of MPS providers, including global giants like Xerox, Canon, HP and Ricoh. Unlike these multi-billion dollar manufacturing companies, ARC is the only business services company listed in the report (the “Magic Quadrant” report) and classified as a niche player for AEC. Given growing demand for MPS, and the advantages of our extensive existing customer base (i.e., extensive existing-customer relationships), our ability to work on-site and off-site in black & white and/or color, and the size of our national footprint, we belie e that this services (MPS) will drive the bulk of our sales with our larger customers.”

    Here’s the Press Release issued by ARC to let the business community know that ARC was recently selected as one of the players in Gartner’s prestigious “Magic Quadrant”.

    PRESS RELEASE

    Nov. 10, 2011, 1:10 p.m. EST

    ARC Positioned in Gartner’s “Magic Quadrant” for Worldwide MPS Providers

    WALNUT CREEK, CA, Nov 10, 2011 (MARKETWIRE via COMTEX) — ARC ARC +3.24% , one of the leading document solutions companies in the U.S., today announced it has been positioned in the October 2011 Magic Quadrant for Managed Print Services, Worldwide, by Gartner Inc. IT +0.91% , the world’s leading information technology research and advisory company. In its annual report on MPS, Gartner provides insight gleaned from global customers into the benefits and challenges of implementing managed print services, and criteria for identifying and evaluating providers.

    “We consider it both an honor and a tremendous accomplishment to be included in Gartner’s Magic Quadrant given how recently we entered the MPS market,” said K. “Suri” Suriyakumar, Chairman, President and CEO of ARC. “Having pioneered on-site services and facilities management in our field during the mid-1990s, and having the ability to combine our MPS offering with off-site services has given us a tremendous leg up in this business segment. Clearly our customers are finding compelling value in our offering. We’re very proud of our inclusion in this select group of providers.”

    ARC’s Managed Print Services allow its customers to drastically reduce hidden, uncontrolled costs in print management, minimize administrative and support burdens, and optimize employee efficiency through better document management. ARC manages all print components and expenses, is completely agnostic with regard to equipment brands and manufacturers, and helps scale and monitor an intelligent print infrastructure that delivers ongoing cost reductions and technology upgrades.

    “Unmanaged print networks are hidden cost centers in most large office environments,” said Ted Buscaglia, ARC’s Senior Vice President of Global Solutions. “Far more money is lost than anyone realizes. By being able to offer MPS solutions in such a comprehensive way, ARC offers its customers significant savings they can begin to track immediately. We’re grateful to Gartner for helping the market understand how MPS works and what to look for in a business partner.”

    For more information, please visit ARC’s MPS web page at: http://www.e-arc.com/managed-print-services , or contact us at 925-949-5100.

    About MPS

    Gartner defines MPS as a service offered by an external service provider to optimize or manage a company’s document output to certain objectives, such as driving down costs, improving efficiency and productivity, and reducing the IT support workload. Under MPS, a service provider takes primary responsibility for meeting the customer’s office printing needs, including the printing equipment, the supplies, the service and the overall management of the printer fleet.

    About the Magic Quadrant

    The Magic Quadrant is copyrighted 2011, by Gartner, Inc. and is reused with permission. The Magic Quadrant is a graphical representation of a marketplace at and for a specific time period. It depicts Gartner’s analysis of how certain vendors measure against criteria for that marketplace, as defined by Gartner. Gartner does not endorse any vendor, product or service depicted in the Magic Quadrant, and does not advise technology users to select only those vendors placed in the “Leaders” quadrant. The Magic Quadrant is intended solely as a research tool, and is not meant to be a specific guide to action. Gartner disclaims all warranties, express or implied, with respect to this research, including any warranties of merchantability or fitness for a particular purpose.

    About ARC

    ARC (American Reprographics Company) is one of the nation’s leading document solutions companies providing business-to-business document management technology and services to the architectural, engineering and construction, or AEC industries. The Company also provides document management services to companies in non-AEC industries, such as technology, financial services, retail, entertainment, and food and hospitality. ARC provides its services through its suite of technology products, a network of hundreds of service centers around the world and on-site at more than 5,500 customer locations. The Company’s service centers are digitally connected as a cohesive network, allowing the provision of services to more than 120,000 active customers.

  • Update to this post, 3 hours after posting it: I e-mailed the purchasing guy, this evening. The RFP has not yet been issued, but will be issued soon. Go to the City’s web-site, select the “business” button, then go to the RFP opportunities. The RFP will be up soon.

    Well, apparently, the City of Costa Mesa, CA examined its “in-house” reprographics services operations and considered outsourcing as an option, and as a by-product of the internal study that the City undertook, the City decided to seek proposals for “Reprographics Services”.

    I scanned through the RFP document (that document is now on the street), but did not see any “large-format services” mentioned, but that does not mean that there will not be any large-format services required or proposed. My scan of the document was a very fast run though, so I might have missed something.

    Schedule, as per the RFP document:

    Release of RFP – November 2, 2011

    Deadline for Written Questions – November 17, 2011

    Responses to Questions Posted on the Web – November 23, 2011

    Proposals are Due – December 1, 2011

    Interview (if held) – December 14, 2011

    Approval of Contract – to be determined

    All dates are subject to change at the discretion of the City!

    Questions about the RFP must be directed in writing, via e-mail, to:

    Richard Amadril, RFP Facilitator

    Rick.amadril@costamesaca.gov

    I placed a copy of the document I found (the RFP is at the end of the document, so you have to scroll through it to get to the RFP). This document, now in my Google Docs library, is a long one, some 70 pages, so give the document some time to load up.

    Here’s the link:

    http://tinyurl.com/cuog7of

    But, probably best if you access the RFP document at the City of Costa Mesa’s web-site!

  • One of the worst things about getting old is that relatives, friends and former business associates pass away. None of us are eternal.

    I deeply regret –and apologize for – not posting an “in memoriam” article about Bill Ballard right after Bill Ballard passed away back in the late spring of this year. Unfortunately, when you are retired from the reprographics industry, which is my situation, you become disconnected from people in the industry.

    I attended the Eastern (Regional) Reprographics Association in Hilton Head Island this past weekend, and that’s when I learned – from one of the reprographers attending the convention – that Bill Ballard had passed away. It was very, very sad news and it brought tears to my eyes.

    I knew Bill Ballard for many, many years. I can’t even recall the first time I met Bill, it was so long ago. I’m positive that it was back when he was with Bruning. Bill exemplified the term, “concerned, committed vendor.” He was an outstanding guy, always willing to go the extra mile for you/your company. I don’t ever remember seeing Bill without a smile on his face. I don’t think that there’s a reprographer in the Southeastern part of the U.S. who did not know – and have a deep respect and a high regard – for Bill Ballard. He was a “class act.” And that’s an understatement, for sure.

    During my second career in the reprographics business – our second company was based in Tampa and had other locations in Florida and in Atlanta – I had quite a bit of contact with Bill, inasmuch as he led OCE’s wide-format division sales managers and sales teams in the Southeastern U.S. I feel very privileged to have known Bill and to have had the opportunity to work with him. Supportive vendors are an essential part of growing a successful reprographics company. Bill played a supportive role in the growth of our company, NGI. Bill, thank you for that, and may you R.I.P.

    My belated condolences to the family of William (Bill) Ballard.


    Published in The Atlanta Journal-Constitution on March 26, 2011

    William Ballard

    William Richard Ballard – 69, resident of Tucker Georgia, died from complications of cancer Wednesday night March 23, 2011. He was born July 7, 1941 in Atlanta, GA and was the second of four children of Dolly J. Ballard and A. Brooke Ballard. Bill graduated from Fulton High School and attended Georgia Tech while working for Southern Bell. He served in United States Coast Guard reserves and trained with the United States Navy Special Forces. His experience in the service helped focus his drive and impacted his life as he often remembered what one of his Drill Sergeant’s told him …”if you want to be special you have to do special things.” Bill’s life exemplified this as he was driven to be special in everything he did. Bill was a member of Briarlake Baptist Church where he led the singing for the Business Men’s Bible Class. He felt very close to the members of his class and loved fellowship with them. Bill was also an avid golfer and always challenged himself. He was a member at Berkeley Hills Country Club and played in many tournaments around the state including the Georgia Amateur … it is often said that the game of golf reveals a person’s character Ö Bill was a man of character and integrity and everyone who spent time with him saw it and felt it … you also knew that he genuinely wanted the best for you and from you. The experience in the service, his faith in God and the game of golf served as the foundation for his life and helped him achieve special things. He was a person that you could believe in and count on … you knew that you could trust what he said and knew that he would follow through. Bill served in his best role as Granddaddy and loved to spend time with all his grandchildren fishing and going to the beach. Bill started his professional career as a Sales Rep with the Charles Bruning Company in Atlanta and earned top honors year after year. Over the years the company was purchased by A. M. International and then finally Océ North America. Océ tried to hire him many times and it was said that they actually bought AM International to finally get him to work for them. Bill was the Atlanta Branch Manager and then the Executive Director of the Southern Region for Océ. Through his career he and his team continued to perform as he expected special things from everyone … Bill and his team rose to the challenge and was the top region in the company for many years. After more than 46 years of service Bill finished his career with Océ in 2009. He is survived by his wife of 46 years, Betty Armistead Ballard and his two sons, William R. Ballard, II of Duluth, GA, and Brockwell Jackson Ballard of Satellite Beach, Florida, two loving daughters-in-law: Barbara Schaaf Ballard and Amy Parker Ballard, one grandson: Thomas Jackson Ballard and five granddaughters: Lucy Madison Ballard, Sarah Elizabeth Ballard, Audrey Grace Ballard, Natalie Claire Ballard and Emma Catherine Ballard, his mother, Dolly Jackson Ballard, Sister Jeannie Ballard Wright, Brother Mark Otis Ballard and many nieces and nephews. His father Arthur Brooke Ballard, Sr. and brother Arthur Brooke Ballard, Jr. predeceased him. Visitation will be at Patterson’s Oglethorpe, 4550 Peachtree Road N. E. Atlanta, GA. 30319, Sunday Evening, March, 27, 2011 from 5:30 P M until 8:30 P M. The Funeral will be at Briarlake Baptist Church at 11:00 A M with visitation before the service from 10:00 until 11:00 A. M. 3715 La Vista Road, Decatur, GA 30033. Interment: Melwood Cemetery, 5170 East Ponce de Leon Avenue, Stone Mountain GA. In lieu of flowers please make donations to American Cancer Society in his honor. Phone: 1.800.227.2345 Mail: P.O. Box 22718, Oklahoma City, OK 73123, email http://www.cancer.org

  • I’m not at all familiar with this particular reprographics company. I don’t recall them being in business in the Orange County, CA market area when I lived there, back when I was retired from my first reprographics company. So, perhaps they are an older company that I never heard of, or maybe they are a relatively new player.

    Whatever the case may be, how they’ve chosen to “market” their business is a bit clever. When you go to their home-page, you see, in big, bold blue letters, “welcome to Orange County Reprographics.” What’s clever about that? Well, the largest A/E/C reprographer in Orange County, CA is ARC, and the core of ARC’s business in that market stemmed from the “OCB” operation acquired by ARC back around 1992/3 (and which has since merged with its largest competitor, Consolidated Reprographics.) The OCB initials stood for “Orange County Blueprint”. The OCB name was a very, very strong brand name. When I visited OCB (in 1992) and met with the then owner, David Hayes (Chuck’s step-father), it was easy to see how strong of a company OCB was. Anyway, A1 Blueprinting’s manner of branding A1 as Orange County Reprographics is, obviously, a play on the former OCB brand name.

    Orange County, CA is a very large market for reprographics, but ARC is the dominant force in that market; C2 Repro is in the number 2 position (and growing.)

    Here’s what I found on A1’s web-site:

    Welcome to Orange County Reprographics by A1 Blueprinting

    2522 Chambers, Suite 100, Tustin, CA 92780

    SEEKING A LOW-COST ALTERNATIVE TO BLUEPRINTING IN ORANGE COUNTY?

    · LARGE-FORMAT BLACK & WHITE DOCUMENT MANAGEMENT

    · BLUEPRINTING AND COPYING

    · SHIPPING & EMERGENCY DELIVERY & IN-STORE DROP OFF & PICK UP

    · SCANNING TO FILE AND DIGITAL ARCHIVING

    A1 Blueprinting specializes to your every need with unbeatable prices when it comes to printing blueprints. From large, oversize, wide-format printing to copying and scanning to file or disk, we do it!

    Joel’s further comments:

    Apparently, A1 Blueprinting’s “list price” for b/w prints, 24 x 36, is $1.44 per print, which works out to $.24 per sq ft. In my mind, that’s not an inexpensive price. Simply my opinion, but not a good idea to say you’re the low cost alternative, when your price does not reflect that. There are customers who will see that price (the “list price”) and not bother to call you to find out what you’re willing to reduce your price to! Often, you get only one shot at convincing a customer that you are, in fact, the low-cost alternative.

    One other comment: in this day and age, I find it hard to believe that there are reprographers who don’t promote and offer large-format color copying and printing. At the ERA convention this past weekend, I asked all of the reprographers in the audience to raise their hands if their customers were ordering color-printed sheets in sets of plans, and everyone in the audience raised their hand. The use of color in “large-format plan sets” is growing.

  • When I went to the map of locations on ABC Imaging’s web-site, and clicked on the “Philadelphia” location on the bar on the left side of that page, here’s the address that came up with the Google map showing the building where ABC’s Philadelphia location is located:

    1900 John F Kennedy Blvd

    ‪Philadelphia, PA 19103

    When the Google map appeared, the side-bar to the left side of the map gave a list of other businesses operating in that same building – 1900 JFK Blvd – and one of the businesses listed is….

    ‪Philadelphia Print and Color

    ‪1900 John F Kennedy Boulevard

    ‪Philadelphia, PA 19103

    ‪(215) 563-2200

    http://www.philadelphiaprint.com/

    Philadelphia Print & Color provides digital and traditional printing services to meet every communications need. From posters and promotional items through variable data, mailing, fulfillment and distribution, we offer the broadest range of flexible, integrated, services to meet our customer’s needs. You can expect a creative and economical solution for each and every project.

    Joel’s comments:

    If I was in Philadelphia, I’d walk over to ABC Imaging’s location to see if both ABC Imaging and Philadelphia Print and Color are separate businesses in that building or if ABC has moved into the space that Philadelphia Print and Color was in. Nice landlord, huh? When I visited Philadelphia Print and Color’s web-site, I didn’t see any mention of A/E/C reprographics services, but PP&C does offer many of the non-AEC services that ABC Imaging offers. For a landlord to have two very similar businesses in the same building, well, that’s not playing fair to the business that was already occupying space. But, perhaps PP&C had already moved out of the building, or perhaps ABC Imaging made a deal with PP&C to move into its space?

    Tip: If you do ever make it to Philadelphia, make sure you go over to the Reading Terminal Market, which is right downtown. Very cool place to walk around. Lot’s of different stalls where vendors are selling all kinds of produce, meat, fish, baked goods, and the food is wonderful, lots of different choices – my favorite things to eat at the Reading Terminal Market include Hot Pastrami sandwiches (awesome!) with hot and crispy French fries, BBQ ribs and coleslaw, Fried Chicken — all the stuff that I’m not supposed to eat! Stay at the Loew’s Hotel; great location, great staff and fantastic (and cheap) happy-hour hors d’oeuvres and drinks! Stuff your face and enjoy watching the parade of people outside.

    With ABC Imaging now open in Philadelphia, that means that four of the five largest reprographics companies now have locations in the Philly market, including ARC, NRI, ServicePoint and ABC Imaging.

  • I’ve done several previous posts on Reprographics 101 about Stadium Capital continuing to build its position in ARC shares. Today is an “update post.”

    Since the last time I posted about Stadium Capital’s ownership (and purchases) of ARC shares, Stadium Capital has made subsequent purchases of ARC shares. Here’s the latest table reflecting Stadium Capital’s purchases of ARC shares from August 23, 2011 through November 1, 2011:

    Transaction Date

    Purchase Price

    # of Shares Purchased

    # of shares owned, after purchase

    %age of O/S Stock Owned

    8/23/11

    $3.79

    30,600

    4,676,921

    10.12%

    8/24/11

    $3.88

    17,991

    4,694,912

    10.16%

    8/25/11

    $3.80

    244,000

    4,938,912

    10.69%

    9/2/11

    $3.54

    29,315

    4,968,227

    10.75%

    9/6/11

    $3.45

    1,833

    4,970,060

    10.75%

    9/8/11

    $3.57

    6,591

    4,976,651

    10.77%

    9/9/11

    $3.49

    11,641

    4,988,292

    10.79%

    9/12/11

    $3.54

    17,256

    5,005,548

    10.83%

    9/20/11

    $3.56

    13,737

    5,019,285

    10.86%

    9/21/11

    $3.50

    9,170

    5,028,455

    10.88%

    9/26/11

    $3.47

    5,500

    5,033,955

    10.89%

    9/28/11

    $3.33

    27,524

    5,061,479

    10.95%

    9/29/11

    $3.29

    22,203

    5,083,682

    11.00%

    9/30/11

    $3.35

    41,019

    5,124,701

    11.09%

    10/3/11

    $3.20

    18,348

    5,143,049

    11.13%

    10/17/11

    $3.64

    15,497

    5,158,546

    11.16%

    11/1/11

    $3.89

    2,201

    5,160,747

    11.17%

    From August 23, 2011 through November 1, 2011, Stadium Capital purchased an additional 514,426 shares, at an average cost of $3.64 per share. I check ARC’s stock price a couple of minutes ago – and it was at $4.94 per share. So at this point, Stadium Capital has an unrealized gain of $667,130 on the ARC shares it has purchased during the period mentioned above. That’s a gain on an investment of $1,874,134. Nice gain, huh! Well……

    What I did not mention in the paragraph above – because I don’t actually know the facts – is that, inasmuch as Stadium Capital began acquiring ARC shares (Stadium Capital had amassed 4,646,321 shares prior to August 23rd) when ARC’s shares were at a substantially higher price-per-share, I think that Stadium Capital’s investment in ARC stock is still seriously underwater. But, time will tell, perhaps 2, 3 or 4 years from now, if Stadium Capital’s significant bet on ARC will pay off.

  • On November 7th, I put up a post on Reprographics 101 about ARC’s Q3 results, so today’s post is a ‘follow-up’ post of sorts.

    At 5:00 pm on November 2nd, ARC’s management team held an “earnings call” to discuss, with financial analysts who follow ARC, ARC’s Q3 2011 results. The next morning, a written transcript of the conference call – statements made by ARC’s management team, questions asked by financial analysts, and responses to those questions by ARC’s management team – was posted on the web-site of www.seekingalpha.com. (SeekingAlpha is a fantastic resource for information about public companies.) If you want to access the written transcript of ARC’s earnings call, go to seekingalpha’s web-site and enter ARC in the search window.

    In this morning’s blog post, I’m going to publish a few of the things that were published in the transcript (Q&A’s), so that I can comment on them.

    Scott Schneeberger – Financial Analyst, Oppenheimer & Co.

    Great. One more if I could. The (gross) margin was solid in the quarter, do you feel like the (your) cost structure is appropriate for this stabilized level of revenue? Is that more that you would like to do on that front, and if so what are the areas you are focused on? Thanks.

    Suri Suriyakumar – Pres & CEO, ARC

    It is appropriate where the cost structure is. Obviously like I said in my – when I was talking we certainly are very aggressive in taking quick action to make sure to keep the costs under control. We have always been like that Scott. So what we have done has produced the results, within virtually a couple of quarters. However, there are a lot of things that we did during the early part of the year, which is in the pipeline, such as you know whether you talk about leases, or whether you talk about equipment. Many of the things we are doing to restructure and rebalance the organization in order to position the organization for growth, all that is an ongoing thing now.

    And as a result, there is more of it happening even as we talk. It is what we call the stay fit exercise. We are constantly looking at locations, we are constantly repositioning equipment and that is an ongoing thing now. Where we’re taking that in order to make sure we have the maximum efficiency. But right now the cost structure is pretty good for the revenues we have, and therefore any pick up on the revenues can only bring us tremendous benefits to the bottom line.

    JOEL’S COMMENTS: ARC’s largest line-item cost is the cost of labor. That’s no different for any reprographer. During his presentation at the ERA Convention, Suri said that ARC employed nearly 6,000 people prior to the beginning of the recession, but, now, ARC employees approximately 2,800. That means that over 3,000 employees have had to be cut, during the recession (the latter, as we know, is still not over and done with in the A/E/C industry, the industry that most reprographers are heavily tied to.) Cutbacks in staffing are a natural consequence of ARC’s “stay-fit” exercise, and, in my opinion, cutbacks in staffing have contributed more to ARC’s cost-reductions than have re-negotiated leases and location consolidations. You could tell by Suri’s comments about ARC’s employment numbers that it causes him a lot of pain. He may be one to operate by the numbers, but he is, after all, human. As to the last comment that Suri made in the last paragraph of the portion of the transcript I posted above, the fact that ARC’s margins have improved, rather than declined, in spite of reduced revenues, means that ARC is doing a good job holding prices. ARC’s margin performance shows no evidence of ARC slashing prices to maintain revenues. When the A/E/C industry finally begins to show evidence of a recovery – and provided that demand for prints on paper come back strong (which some do question) – ARC should benefit, in a serious way, from that recovery, and experience an expansion in its margin …. and a rapid expansion in operating profit. ARC’s sales peaked at around $700 million, but, this year, will, I estimate, come in at around $420 million (see post I did a couple of days ago for my estimates of ARC’s forward revenues). While ARC’s employee population has declined by more than 50%, ARC’s sales have not declined as much, proportionately speaking, which means that ARC’s “revenues per employee” have actually increased. That’s a measurable gain in employee productivity and operating efficiency. My prediction: Two years from now, ARC’s gross margin will be 40.0% This past quarter, it was at 32.4%.

    David Manthey – Financial Analyst, R.W. Baird & Co.

    First off, could you tell us what you are all including in digital revenues today, and then if you talk about your transition to the seat license model and how that is doing, and also if you could address – I heard you talk about (inaudible) this quarter?

    Suri Suriyakumar

    Right. You know in terms of digital revenues it is all of the activities which comes from scanning, indexing, all of the services we provide customers, where they ask us to perform services related to digital activity. So it could be scanning, it could be indexing, it could be setting up files, all of the digital charges we have is what we are basically doing plus seat license. The dealer adds them. In addition to that we do have seat licenses.

    So when we talk about the transition model, the seat licenses is only one aspect of it David. Obviously we have some software such as Planwell, which is actually the planroom, which is Planwell Enterprise and then we have Planwell Collaborate, and then we do have tools like (inaudible) Abacus and MetaPrint. So wherever we have customers engaged this software or employ this software to use we would charge them seat licenses. So that is a component of our digital revenues.

    In addition to that, we would also have digital services, which is scanning, indexing, or any kind of outsourced work we’re doing for them in converting drawings and so on. Then on top of that with some customers when we provide them consultancy services that is you know again digital revenue as well.

    JOEL’S COMMENTS: Sometime in the late summer or early fall of 2010, ARC reportedly began charging “seat license fees” to its end-user PlanWell customers and to non-ARC-owned reprographers who use PlanWell. Prior to that, ARC did not charge “seat license fees” to PlanWell users. Dave Manthey’s question, quite basically, was directed at the question of …. “did users accept (buy-into) that fee?” Quite recently, I posted a couple of articles on Reprographics 101 about an industry vendor called “ReproConnect.” ReproConnect offers e-planroom software (server-based or cloud-based, your choice), but, unlike ARC, ReproConnect does not charge “seat license fees.” Apparently, ReproConnect has been able to grow its reprographer-client base during the recession, and one (like me) wonders if some of that growth has come at the expense of ARC. I know of one reprographer who recently dropped PlanWell and went, instead, with ReproConnect, and one of the main reasons he/she gave me, was the fact that ARC began charging him for “seat licenses”, even though that was not part of the original deal when he first acquired PlanWell. It’s my understanding – and I could be wrong about this – that several PlanWell-user reprographers were told, after ARC first implemented the new “seat license fees” for PlanWell, that they did not have to pay the seat license fees, at least for the time being. And, oh by the way, there are still reprographers who offers the use of e-planroom services without charge for the e-planroom services. In fairness to ARC, ARC’s PlanWell e-planroom does offer features that ReproConnect’s e-planroom does not offer. According to the ReproConnect management guy I spoke to, one of his primary goals was to keep ReproConnect a very, very user-friendly, easy software to use.

    David Manthey – Robert W. Baird

    Okay, thank you. And could you give us an update on ishipdocs, any kind of growth numbers or anything?

    Suri Suriyakumar

    In terms of the ishipdocs, we had ishipdocs 1, and we just released ishipdocs 2. ishipdocs 2 is still at its very early stages. So the numbers haven’t changed, but with regard to ishipdocs 1, which is the primary driver of shipping documents and sharing documents within the construction space we are tracking about $6.5 million in revenues in that segment.

    JOEL’S COMMENTS: Prior to implementing iShipDocs, ARC’s operations, across the U.S. (and outside of the U.S.) were certainly capable of transferring digital files to the city where the “completed, printed documents” were to be delivered. In other words, ARC’s locations were already capable of transferring print jobs to remote locations, instead of printing in the city where the order originated and then shipping the printed documents (the completed order) somewhere else. For all intents and purproses, ARC’s iShipDocs software is, in my opinion, mostly a “branding/marketing” initiative, at least for jobs that originate with from an existing ARC customer and are printed and delivered by an ARC-owned location. In those cases, ARC’s revenue from iShipDocs is not, in my mind, incremental (i.e., “new”) revenue. In my mind, “new” revenue (to ARC) is generated when a non-ARC customer is, because of iShipDocs, convinced to divert orders to ARC that would have been done by an ARC competitor. And, “new” revenue (to ARC) would include orders submitted through iShipDocs by non-ARC reprographers and orders submitted by ARC-operations to non-ARC reprographers. Because of this, I really wish that financial analysts would revise their questions about iShipDoc’s revenues and progress …. to ferret out the “new, incremental” revenues that iShipDocs is generating. Even without iShipDocs, reprographers, located in different markets, have, for years, been digitally transferring print jobs to other reprographers. Heck, I can remember back in the mid 1980’s, when we shipped hard-copy originals from Washington, DC to Los Angeles, so that the reprographer in L.A. (Blair Graphics) could “print and deliver locally in L.A.” without our customer having to pay substantial freight charges. Personally, I think ARC’s development of iShipDocs was a very wise idea – – – I just don’t know, at this point, how much “new incremental” revenue ARC is generating because of iShipDocs, because the analysts aren’t asking that question.

    Suri Suriyakumar

    Okay. So that category, Matt, when we take that category, we are actually categorizing when we say FM, it is actually FM/MPS. Am I right, Dilo. So what is happening there is most of the growth you are seeing, almost all of that is largely coming from the MPS growth. the number of FMs continued to stay stable. I think it is at 5000. Let me take a quick look here. 5900, 5895, so that is pretty stable, 5900. There are few customers here and there we would remove the FMs and there will be a few we will be installing.

    JOEL’S COMMENT ABOUT ARC’S FM’s: Suri stated that ARC has around 5,900 FM deals in place. I’m so old that I can remember when the original ARC company – Ford Graphics – had zero FM’s.

    David Manthey – Robert W. Baird

    Okay, and then as it relates to the acquisition landscape, could you talk about, what it looks like today and how interested are you in doing deals at this point?

    Suri Suriyakumar

    Right. So obviously the landscape is not very good. When I say not very good as you know the industry has been pretty much devastated because of the downturn. And there are not a whole lot of competitors who are in good shape with regard to the companies themselves, because obviously many of them had substantial erosion of revenues and quite a few of them have got into financial difficulty, or operating purely marginally.

    So where we are looking at David is that there are companies, which actually are unable to continue. If so we’re buying customer bases from them. So we typically refer to them as tuck in acquisitions. So we could actually if a company is nearly folding up and they didn’t have a whole lot of assets to sell, and they don’t have a structure. They can’t continue to run. Then we would actually providing – we’re legally clear, and we can acquire the customer base, then we would acquire those customer bases.

    We call them tuck in acquisitions. There are a few we are doing like that, not a whole lot. but in terms of having large acquisitions, unless this is in an area where we have no presence at all we’re kind of not very interested in acquiring these companies for many reasons. One, the industry has substantially changed in the way we are operating. So these companies who had a traditional model would be significantly behind in terms of employing technology, document management or providing services to the customers.

    So they are not wholly attractive, unless it is a market that we don’t have any presence on and there are a few markets like that in the United States, and might consider acquisitions in those markets. But largely where we would probably look for tucked in acquisitions and not necessarily a whole lot of acquisitions in the reprographics world.

    JOEL’S COMMENTS ABOUT ARC’S ACQUISITION INITIATIVES : My conclusions, right or wrong, based on what Suri said …. (a) If you’re a reprographer in a market where ARC already has operations, don’t hold your breath waiting for ARC to come make you an offer. I think the exception would be that, if you are the dominant player (in terms of market share) in a major market where ARC has operations but scant market share (take for example, the Boston, MA market), I would think that you’ll get a call from ARC. (b) if you are a smaller reprographer and are hurting badly and can’t figure out how to stay the course, you might be suitable as a “tuck-in” acquisition for ARC. If you aren’t going to stay the course, why would you close up shop and get nothing at all, when ARC may be interested in paying you at least something for your customer base? One last comment about this, as to tuck-in acquisitions; there are other reprographers who may be interested in doing tuck-in acquisitions, in other words, ARC is not the only end-game for you. Better to have competition for your accounts than no completion at all.

    End of post.

  • Tomorrow, November 9, 2011, three members of ARC’s executive management team – Suri, Dilo, and John Toth – will be giving a presentation at the J.P. Morgan Ultimate Services Conference in New York City.

    In conjunction with that event, ARC has just released a revised, updated “Investor Presentation”.

    I’ve placed a copy of that presentation in my Google Docs library, and here’s a link you can click on to access the presentation file.

    http://tinyurl.com/7vbguna

    I have not yet read the presentation file, but will do so sometime later today.

  • On Saturday morning this past weekend, moderators David Brownell (Managing Principal, The Brownell Group, CT) and Mike Cully (President, AIR Graphics, Boston) led a “room-wide” roundtable discussion titled, “the Future of Reprographics.”

    [Dennis Dillon (one of ARC’s VP’s) had to leave the convention early, so he could not participate as one of the moderators, as had previously been planned.]

    This particular topic – the future of reprographics – is a difficult topic for reprographers.

    For details of what was covered during this session of the ERA convention, please visit the ERA’s web-site, at www.eastrepro.com, as I’m pretty sure that David will, at some point in the near future, post on the ERA’s web-site the presentation file he used as a guide to the roundtable discussion about the future of reprographics.

    David’s presentation incuded a SWOT analysis.

    – – – – – – –

    I’m not planning to make any further comments about the ERA convention, with the exception of the following.

    Charlie Hackworth, a long-time ERA and reprographics industry member, suggested that the ERA get together a “focus committee” to determine what the ERA should be looking at, going forward. Bob Roperti, President of the IRgA, said about the ERA convention for “next year,”….. our goal should be to have a minimum of 50 reprographics companies in attendance at next year’s ERA convention.” This year, only 17 reprographics companies registered for the convention.