• This morning, I received an e-mail from a Reprographer, who is a frequent visitor to Reprographics 101, and his e-mail included a brief comment and an article about Kodak. Heretofore, I have not posted any articles about Kodak declaring Chapter 11, for that news has been all over the place…. and it was expected, by most, to happen.

    But, the article my friend sent me is not, per se, about Kodak’s decision to declare Chapter 11; it’s more about “why Kodak failed” …. and, reprographers, please take note, there are some similarities between Kodak’s failure and the challenges that Reprographers have been experience and will continue to face in the future.

    Here’s my friend’s brief comment:

    “Joel, this may make for a great post…just remove “photos” and substitute in “plans/specs.” I highlighted key portions.”

    The portions that my friend highlighted now appear, below, in bold red type.

    Okay, before you read the article, I have a couple of comments to make:

    First, with regard printing hard-copy photos (printing “to paper”); our homes are filled with framed photographs of family and friends and of places we’ve visited. In addition, we also have a small collection of “collectible” photographs. My wife’s “project” this week is to organize digital files of photos we recently took when we visited three countries in Europe; once she finishes organizing these photos she’s going to go “on-line” (using MyPublisher.com) to order two hard-copy “photobooks.” We continue to take photos ….. and, nowadays, my $150 personal HP Ink-jet printer is used to print photos much more than it is used to print regular documents. I have no doubt that, once my wife learns how to use MyPublisher, she will, in the future, be ordering more and more “photobooks.” And, we continue to print new individual photos for placement in frames, for us and for gifts. And, yes, we both have “digital libraries” of photos on our MAC laptops. We occasionally share our photos by e-mail and, of course, if we learned how to do this, we could post our photos on photo-sharing sites on the Internet. But, the main point I’m attempting to make is that we still print photos – to paper – and we will continue to do that, because I’m not interested in mounting multiple MAC laptops on my walls and shelves. You get the picture, and, yes, pun intended! And, by the way, the photobook business is growing, not declining.

    Secondly, the printing (to hard-copy) of “other” types of documents, and, here, I’ll bring in the term, “plans and specs” is very much different from printing photos. I can’t remember a time when I visited the house of a relative or friend or business associate where they had “A/E plans” (or specs) in frames on their walls or shelves. (Unless the A/E plans were “antiques.”) To me, there’s a fairly big difference between the future of printed “photos” and the future of printed “A/E plans.” To me, the printing of A/E plans is much more susceptible to future decline than is the case with printing photos. Technologies that enable virtual collaboration on, and easy/speedy distribution of, digital files will continue to find their way to market, greatly affecting the volume of A/E/C industry documents that find their way to “hard-copy” printing.

    Okay, here’s the article:

    “Why Kodak failed — and how to avoid the same fate”

    By Dave Johnson, January 23, 2012 7:21 AM

    It was a sad day last week when Kodak — perhaps the most iconic of all photography companies — filed for Chapter 11 bankruptcy protection. Of course, that doesn’t mean Kodak is down for the count. Quite the opposite. But to see the premier powerhouse of the film age trying to shed debt and restructure to survive is sad. Kodak gave us the first mass-market camera, the Brownie, as well as the first instant cameras. And there’s the Paul Simon song, as well.

    Anyone who has followed the rise of digital imaging over the last 15 years might shrug this off as inevitable. But Kodak actually made a genuinely solid effort to transform with the digital age. It just hasn’t been quite nimble enough. Indeed, there’s one critical element that — had Kodak pulled it off — might have prevented the current trek through bankruptcy protection. It’s a great lesson for any company faced with weathering a disruptive change in its industry.

    The bottom line is that in any transformation, you need to embrace the right business model. Kodak made a lot of changes to its core business model in the 1990s and 2000s. It rolled out a line of digital cameras, sold inkjet printers, and bought a photo sharing site called ofoto.com, which it eventually rebranded Kodak Gallery.

    Those all sound like smart and reasonable decisions — the company seemed to move with the industry — but it wasn’t enough. In particular, Kodak was still implicitly married to an outdated business model that relied on people printing their photos.

    Kodak’s EasyShare brand, for example, married cameras and desktop printers in a way that emphasized convenient and frequent snapshot printing. And ofoto, despite some photo-sharing pretensions, has always been little more than a vehicle for ordering prints. What Kodak missed — or ignored — is that the dynamics of photography have changed. Digital photography isn’t just about a transition to bits instead of silver halide.

    Digital photography is about freedom from printing. People don’t print photos anymorethey share photos online. Indeed, even the fundamentals have changed in that people don’t take photos with bulky cameras at special occasions anymore. Cameras — or, more accurately, cameraphones — are a ubiquitous part of everyday life in a way that George Eastman could only have dreamed about.

    That means that Kodak, had the company recognized that customers no longer wanted to print but rather wanted to share online, would have been smart to deemphasize its printer business and build its online property — ofoto — into something more than just an easy way to upload and print photos. The real future business model for digital photography was destined to be social media.

    Of course, it’s not Kodak’s fault that the company couldn’t predict Facebook, but imagine if it had.

  • Eric Schmitz

    President at Premier Reprographics

    Current Position:

    President

    Premier Reprographics


    Prior Employment:

    President

    OCB Reprographics

    Public Company; 201-500 employees; ARP; Printing industry

    September 1997 – June 2008 (10 years 10 months)



    Premier Reprographics

    Premier Reprographics is a full service digital reproduction center with the latest in color and large format technology.

    9178 Chesapeake Drive

    San Diego, CA 92123

    O: 858-467-1200

    F: 858-467-1206

    http://premierreprographics.com

  • GSA = General Services Administration, a unit of the U.S. Federal Government.

    At our first reprographics company, which was based in the Washington, DC area, we did a fair amount of business with Federal Government agencies operating in the DC area, but none of the business we did with Federal Government agencies was done because we were on the “GSA Schedule”. Frankly, we never took the time to explore how that works or the time to apply for being listed as a GSA Schedule services (or product) vendor.

    Well, I just mentioned that we were never on the GSA Schedule, but (in spite of that), we did do a fair amount of reprographics work for various Federal Government agencies, including the Veterans Department, the Internal Revenue Service, the Department of State, the Architect of the Capitol, just to name a few.

    But some firms in the reprographics / graphic imaging services and equipment business have done that – made application, and been approved, to be on the GSA Schedule.

    This morning, I did a bit of research to see if I could locate companies who are, or who have been, on the GSA Schedule for reprographics or document production services (and/or for reprographics equipment), and, after researching this for about one hour, I came up with the following companies who are (or who were previously) listed as GSA Schedule vendors (Note that I’ve placed links to each company’s GSA Schedule services/products and pricing, with the exception that pricing is not, for some reason, included on RPG’s GSA Schedule document):

    OCE

    http://tinyurl.com/762opyj

    Reprographic Products Group (RPG)

    http://tinyurl.com/7comrcc

    AAB Imaging

    http://tinyurl.com/7j59wzq

    CMC Repro & Associates

    http://tinyurl.com/6r9x3mh

    Sharpe Images

    http://tinyurl.com/75ce635

    FedexOfficeKinkos

    http://tinyurl.com/6skeacq

    American Reprographics (but this is NOT ARC)

    http://tinyurl.com/6reopd7

    Allied Photocopy

    http://tinyurl.com/7wbwhhw

  • Graphics of the Americas Announces Wide Format Print Shop Live! Exhibit

    Monday, January 23, 2012

    Press release from the issuing company

    The Printing Association of Florida’s Graphics of the Americas Expo & Conference (GOA) is excited to announce that a highly anticipated show feature will take place again this year: the Wide Format Print Shop Live! Sponsored by Caldera, this in-depth series of free wide format-centric sessions – as well as live demonstrations at the Wide Format Print Shop Live! in booth #395 – will take place at GOA, March 1-3, 2012, at the Miami Beach Convention Center.

    Free seminars and live demonstrations

    The Wide Format Print Shop Live! seminars are not to be missed by anyone in the wide format space. Visitors hear straight from the experts while engaging in free seminars that provide a solid framework for growing their business. The latest industry topics and how-to’s being presented include: Evaluating Wide Format Inkjet Presses; Purchasing the Right Wide Format Equipment for the Right Job; and highlights about what’s hottest in this growing part of the print landscape.

    Caldera will also be holding demonstrations of its award-winning, production-orientated print and print-to-cut workflow programs for large- and grand-format peripherals, at the Wide Format Print Shop Live! booth.

    “GOA has become the trusted resource for printers and industry professionals to hear about recent trends, and even more importantly, how they can realistically be implemented into real business scenarios,” says George Ryan, GOA president. “Attendees and exhibitors appreciate the expert, first-hand knowledge that Wide Format Print Shop Live! speakers deliver. Visitors should be sure to mark this on their agendas.”

    Wide Format Print Shop Live! Seminar Schedule

    In addition to the many free bonus sessions and exciting show floor features already on tap for the 37th annual show, the following sessions will be hosted at the Wide Format Print Shop Live! exhibit:

    How to Evaluate Wide Format Inkjet Press

    Dr. Mark Bohan – Vice President of Research, Printing Industries of America

    Fri., Mar. 2, 2012 – 3:30 – 4:30 pm
    Sat., Mar. 3, 2012 – 10:30 – 11:30 pm

    Wide-format inkjet has many different print engines with various capabilities dependent on technology and application. Evaluating the inkjet device requires assessing both the mechanical performance as well as the RIP capabilities in combination with the printer. Evaluating the mechanical performance will include tests to evaluate the nozzle performance for blockages, the bleed created by the ink/substrate combinations, the resolution that can be achieved at particular press speeds, the text quality, and the full color gamut. To complement this, the RIP capabilities need to be assessed for several characteristics, including overprinting, font formats, transparency, RGB/CMYK conversion, spot color handling, and images containing device-independent colors. Learn how to carry out a complete evaluation of a press and the importance of the different characteristics.

    Purchasing the Right Wide Format Equipment for the Right Job

    Nicholas Hellmuth – Expert in Wide Format Digital Printing Technology

    Thurs., Mar. 1, 2012 – 10:30 – 11:30 am
    Fri., Mar. 2, 2012 – 10:30 – 11:30 am

    There are many wide format digital printing options on the market. This session will explore the benefits of the different technologies and substrates and help attendees decide which technology is the best for them. Learn about the applications that are best suited for UV curable printing, eco solvent inks, latex inks, and metallic inks. Understand the productivity considerations when buying roll to roll systems, UV Flatbed, and a combination UV flatbed and roll to roll digital printing systems.

    Explore the wider opportunities with FESPA

    Duncan MacOwan – Head of Events and New Media, FESPA

    Thurs., Mar. 1, 2012 – 2:00 – 3:00 pm
    Fri., Mar. 2, 2012 – 2:00 – 3:00 pm

    Drawing on FESPA’s extensive body of research into the global wide format printing sector and the myriad market niches the sector serves, Duncan will highlight what’s hottest in this growing part of the print landscape. Explore what products that have the greatest growth opportunities.

    Registration

    To register for GOA 2012, or for more information about show features like Wide Format Print Shop Live!, please visit: www.goa2012.com, or call +1 407-240-8009.

  • This article is now up on www.aecbytes.com

    Adopting Lean Practices in the Architectural/Engineering Industry

    David Haynes, AIA, LEED AP
Director of Consulting, Ideate Inc.

    Article Summary

    Lean Business Practices have been adopted in many industries such as automotive design and build, aircraft design and build, and ever increasingly by leading construction companies. What are the best practices the Architecture/Engineering (A/E) design industries can adopt and utilize? David Haynes, Director of Consulting for Ideate Inc., sheds more light on these issues in this Viewpoint article.

    Article Link

    http://www.aecbytes.com/viewpoint/2012/issue_63.html

  • Article was authored by Joanna Rose (but I’m not sure what web-site this article came from, as a visitor to my blog-site sent me this article.)

    1/17/2012

    Related Companies and Oxford Properties Group, general partner developers of the 26-acre Hudson Yards in midtown Manhattan, today announced the retention of Tutor Perini Corporation, a prominent national civil and building construction company, as contractor for the Hudson Yards development. Related and Oxford have also reached an agreement with Tishman Construction to serve as their building partner. Construction on Hudson Yards is poised to commence later this year beginning with the southeastern tower anchored by Coach, Inc.’s global headquarters. Related has also retained Tutor Perini Corporation for a residential tower being developed just south of the Hudson Yards on 30th Street and 10th Avenue.

    “Tutor Perini is a world class contractor offering decades of experience and an exemplary track record with complex large-scale developments,” said Jay Cross, President of Related Oxford Hudson Yards. “Their retention along with that of legendary builder Tishman Construction marks another significant milestone as we prepare to commence construction on the Hudson Yards later this year and bring to market an extremely compelling commercial offering for office tenants with unsurpassed transportation infrastructure, amenities, large flexible floor plates and generous tax incentives.”

    Ronald N. Tutor, Chairman and CEO of Tutor Perini said “We are thrilled to be playing a role in the historic Hudson Yards development and partnering with Related Companies and Oxford Properties. Our experience and expertise in significant mixed-use developments makes us an ideal fit for the creation of New York’s next great neighborhood.”

    “Hudson Yards represents one of New York’s greatest opportunities for future growth,” said John T. Livingston, President of Tishman Construction an AECOM Company. “As the builder of the most iconic projects here and around the World, we’re thrilled to be teaming with Related and Oxford on the transformation of Manhattan’s far West Side.”

    Tutor Perini Corporation is one of the largest builders in the United States with a longstanding reputation of successful projects in New York and vicinity. Notable projects include the Greenwich Street Corridor Project at World Trade Center, Airtrain Terminal at Jamaica Station, JFK Airport Runway Reconstruction, Hudson Bergen Light Rail Transit System, Mohegan Sun and Foxwoods Resorts in Connecticut and the recently completed Resorts World Casino in New York. Related Companies and Tutor Perini worked together on the highly acclaimed 6 million square foot, $4 billion Cosmopolitan Resort that recently opened in Las Vegas.

    Tishman Construction Corporation is one of the world’s leading builder’s and was founded in 1898. Tishman is currently managing construction for the 1,776-foot-high One World Trade Center and Javits Convention Center expansion and renovation in New York and the new headquarters for the U.S. Department of Homeland Security in Washington, D.C.

    Hudson Yards is a 26-acre mixed-use development accommodating over 13 million square feet of commercial and residential space. The master plan comprises approximately 5,000 residences, 6 million square feet of state-of-the-art commercial office space, a 1 million square foot destination retail center with an over 130,000 square foot two-level space of specialty destination restaurants, cafes, markets and bars, a five star hotel, a unique cultural space, and a new 750-seat school, all carefully planned around 14 acres of public open space. For more information please visit www.hudsonyardsnewyork.com.

  • In the previous post on our blog, we posted about the City of Tampa’s plans to enable building-permit-seekers to submit “digital files” of plans, rather than hard-copy.

    We decided to follow-up that post with some further information about Accela Automation. What’s below is a press release from Accela’s web-site.

    Fully integrated capability in Accela Automation enterprise software proves strong draw for local governments of all sizes

    SAN RAMON, Calif., Dec. 6, 2011 Accela, Inc., the leading provider of web- and cloud-based software applications for e-government, today revealed that multiple governments across the United States have decided to deploy Electronic Document Review, a free and fully integrated plan and document review feature within the company’s enterprise Accela Automation® software. In only four months since it was announced by Accela, more than a dozen governments have indicated their desire to move to Electronic Document Review – rather than pursue standalone plan review solutions that provide reduced integration with Accela Automation and require additional maintenance resources and costs. Underscoring the broad appeal of the feature’s powerful capabilities and extensibility is its planned use by city, county and state agencies serving populations ranging from fewer than 50,000 to more than 3 million.

    A sampling of the governments intending to leverage Electronic Document Review in 2012 includes California’s San Diego and Monterey counties; the Arizona communities of Chandler and Avondale; Clearwater, Fla.; Charlotte, N.C.; Lenexa, Kan.; El Paso, Texas; two groups within the State of Montana’s Department of Labor and Industry; and the State of Oregon’s Building Codes Division. Since Electronic Document Review entails no new licensing fees, the number of governments making plans to deploy the functionality continues to expand rapidly.

    “Planning and land-use functions are arguably among the most customer-facing in government – and potentially the greatest contributors to revenue,” said Darrell Lewis, Vice President of Product Management at Accela. “A well-oiled plan review process can have a significant impact on local and regional economic growth and the development of a healthy business climate. Electronic Document Review is designed help our customers more easily achieve those benefits.”

    End-to-End e-Government Efficiency

    While Accela Automation already provides a complete solution for streamlining critical regulatory functions, such as permitting and licensing, the addition of Electronic Document Review creates an end-to-end review and management system for the various types of regulatory documents – plans, architectural drawings, licenses, and more – which are required for project applications and renewals.

    Electronic Document Review allows government staff to incorporate document review and markups directly into the existing Accela Automationprocesses that automate, organize, and track reviews. The feature also provides access to documents when and where users need them across their agency teams. This end-to-end management of electronic documents can boost compliance with local regulations and codes, while also shortening project cycles to the benefit of residents, businesses, and regional economies. The International Code Council’s eCodes Premium Subscription is incorporated into Accela Automation, making eCodes digital code products directly accessible and referenceable by Accela Automation users.

    In addition, Electronic Document Review’s tight integration with Adobe Acrobat X Pro provides easy review and markup of documents in industry-standard PDF format. The feature also supports current EDMS connectors to third-party document management solutions, greatly facilitating inter-team collaboration by making documents – and their comments and markups – available for review to all agency and public users. This capability accelerates document transfer and handling while also protecting the accuracy and integrity of edited documents.

    Electronic Document Review requires no new licensing fees, although services fees for installation and post-deployment support may apply. Additional information can be found at www.accela.com/electronic-document-review.

  • Reprographers, please note the words and sentences in bold blue type!

    Tampa to make getting building permits faster, easier and trackable online

    By Richard Danielson, Times Staff Writer
In Print: Thursday, January 12, 2012

    TAMPA — Mayor Bob Buckhorn often says Tampa’s permitting system ought to be modern enough to let a builder track a permit on a smartphone.

    Now City Hall is moving in that direction.

    City officials said Wednesday they will buy a fully automated electronic permitting system from Accela Automation, a company based near San Francisco that provides web- and cloud-based software applications to government agencies.

    The system will replace an inefficient patchwork of old software and is designed to provide businesses, homeowners and contractors with online access to permitting and licensing information.

    The result, Buckhorn said, should be “quicker permits, less hassle and more money saved in lost time.”

    “This software will certainly make us far more user-friendly, whether it’s someone adding onto their house or someone building an office tower,” Buckhorn said. “Any builder who deals with the city on a regular basis knows how archaic the system is. This will be a huge improvement.”

    Accela Citizen Access, part of the software package, will allow businesses to apply and pay for permits, submit construction plans electronically, schedule inspections, check the status of a permit or inspection, and print an approved permit online any time, officials said.

    Residents and businesses also will be able to look at maps and access permitting services from devices such as iPhones and iPads.

    The software is expected to cost an estimated $2.7 million the first year, and the City Council will likely vote on its purchase later this month, officials said.

    Most of the money for the system will come from the city’s Construction Services Enhancement Fund, which was created a decade or more ago at the request of builders and developers.

    The construction industry agreed to slight increases in permit fees in exchange for some of the money going to a special fund that has been used to buy better computers and software needed to review their applications.

    As a result, “most of this is being paid for by the industry that we regulate,” said Thomas Snelling, the city’s acting growth management and development services director.

    Once purchased, the system will likely be available to users in three or four months, he said.

    For companies with construction loans, time is money. So they will welcome anything that expedites permitting.

    “This has been something that the Tampa Bay Builders Association has been advocating for years,” said Jennifer Doerfel, the group’s executive vice president. “Gone will be the days of having to print out pages and pages and pages of building plans and make an appointment and go down and pay for parking” to apply for a permit.

    Since taking office in April, Buckhorn has talked of “changing Tampa’s economic DNA” to foster redevelopment, boost the local economy and make Tampa more appealing to bright young professionals.

    To do that, last summer he appointed an economic competitiveness committee to study ways to change the city’s reputation as a tough place to get a rezoning or a building permit.

    The committee — 17 lawyers, engineers, developers, builders, plus a City Council member and a neighborhood representative — began meeting in early July.

    It is expected to continue its work through at least the end of this month. But it is close to recommending changes in three areas, including the permitting upgrade announced Wednesday:

    • Codes and ordinances: In a draft report, the committee describes the city’s existing process as “confusing, unpredictable, time-consuming and costly for anyone trying to do business in the city.” It is moving to recommend taking development regulations that are now scattered throughout the city’s codes, eliminating unnecessary ones, and putting them in one unified code.

    • Process and technology: Along with the new online permitting system, this is expected to include establishing a single authority over interpretations of the code and creating a more “customer-driven culture.”

    • Staff and organization: The committee is recommending bringing city staffers who work on different aspects of development review into one department and creating an “ombudsman” position to help facilitate complex projects.

  • Today, ARC issued a press release that said ARC will release its full year 2011 results on Feb 21st.

    WALNUT CREEK, CA, Jan 19, 2012 (MARKETWIRE via COMTEX) –ARC (NYSE: ARC) today announced that it will hold a conference call with investors and analysts on Tuesday, February 21, 2012, at 2 P.M. Pacific Time (5 P.M. Eastern Time) to discuss results for the Company’s fourth quarter and full year 2011.

    A news release announcing the fourth quarter and full year 2011 results will be disseminated on February 21, 2012 after the market close.

    CONTEST!

    GUESS ARC’S Year 2011 SALES REVENUES

    Prize: $100

    If you win the contest, please note:

    · ½ of your prize will be donated, directly by me in your name, to your favorite charity. (No “religious charities, please!)

    · The other ½ of your prize will be in the form of a check, issued by me to you.

    Contest Entry Deadline: February 7th, 2012, 5:00 p.m. East Coast time.

    How to Enter Contest: If you want to participate in this Contest, you must e-mail me (at joel.salus@mac.com) with your guess at ARC’s Year 2011 total Sales Revenues no later than 5:00 pm on February 7th, 2012. Only one guess (only one entry) per participant!

    How Contest Winner Will Be Determined: The person who comes closest to ARC’s actual Year 2011 total Sales Revenues will be the Contest Winner. The Winner will be determined when ARC announces its Year 2011 Sales. We expect that announcement to come on February 21st. I will announce the contest winner – on the blog – shortly after results have been released.

    Eligibility for this Contest: Only persons who are, or who were, actively employed in the reprographics industry (reprographers and vendors included) are eligible for this contest. (In other words, retired reprographers may enter the contest.)

    Not Eligible for this Contest: Employees of ARC (this includes employees, officers and directors of ARC) are not eligible.

    In case there’s a tie: In the event that two or more contest entrants guess the same sales revenue number that ends up being the winning contest entry, the first person who e-mailed me his/her guess will be the winner of the contest. So, get your guesses to me as soon as possible.